History Refused to Die: The Enduring Legacy of African American Art in Alabama (9780692365205)
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Author: Horace Randall Williams, Karen Wilkin (Author), Sharon Holland (Author)
After the death of Martin Luther King Jr., Alabama produced an impressive number of African American self-taught artists whose work particularly focused on the Civil Rights Movement and on aspects of history that led to it. This happened, in part, because the action was right on their doorsteps: Rosa Parks and the Montgomery Bus Boycott, the Selma March, the murder of four little girls in the bombing of the 16th Street Baptist Church in Birmingham. It was a spontaneous response to an emerging opportunity, and it occurred all over the South. History Refused to Die documents this phenomenon by highlighting the men and women whose artistic accomplishments deserve to be recognized by American art history, identifying six various themes that run through the works of almost all of these Alabama artists: Slavery, Agricultural and Industrial Alabama, The African-American Woman, The Civil Rights Era, Surviving Modern Times, and Autobiography and Commemoration. Featuring the work of fourteen African American artists from Alabama, including Thornton Dial, Lonnie Holley, Joe Minter, Ronald Lockett, Mose Tolliver, and several quilters from Gee's Bend, Alabama, this volume provides insight into black Alabama and African American visual expression through the presentation and analysis of more than 100 works of art.
Publisher: Tinwood Books (05/26/2015)
Hardcover: 216 pages
ISBN-10: 0692365206
ISBN-13: 9780692365205
Item Weight: 3.60lbs
Dimensions: 12.30h x 10.20w x 0.90d
San Francisco, the University of Pennsylvania Museum of Archaeology and Anthropology) and has held teaching appointments at elite universities (University of Pennsylvania, Bryn Mawr College, University of California at Berkeley, University of San Francisco, and University of Minnesota). Toure is the principal and chief appraiser of Appraisals of Value, LLC, a premier Baltimore corporation specializing in art valuation, art advisory and management, art acquisition and art disposition. Karen Wilkin is a New York-based independent curator and critic specializing in twentieth-century Modernism. Educated at Barnard College and Columbia University, she is the author of monographs on Stuart Davis, David Smith, Anthony Caro, Kenneth Noland, Helen Frankenthaler, Giorgio Morandi, and Hans Hofmann, among others, and has organized exhibitions of their work internationally. The Contributing Editor for Art for the Hudson Review and a regular contributor to the New Criterion and the Wall Street Journal, she teaches in the New York Studio School's MFA program. Horace Randall Williams is an Alabama native and the editor of Montgomery-based NewSouth Books. He is the author of five books and has edited and published more than 500 others, mostly on Southern history and
culture. Previously, he was a newspaper journalist and the founding director of the Southern Poverty Law Center's Klanwatch Project.
After the death of Martin Luther King Jr., Alabama produced an impressive number of African American self-taught artists whose work particularly focused on the Civil Rights Movement and on aspects of history that led to it. This happened, in part, because the action was right on their doorsteps: Rosa Parks and the Montgomery Bus Boycott, the Selma March, the murder of four little girls in the bombing of the 16th Street Baptist Church in Birmingham. It was a spontaneous response to an emerging opportunity, and it occurred all over the South. History Refused to Die documents this phenomenon by highlighting the men and women whose artistic accomplishments deserve to be recognized by American art history, identifying six various themes that run through the works of almost all of these Alabama artists: Slavery, Agricultural and Industrial Alabama, The African-American Woman, The Civil Rights Era, Surviving Modern Times, and Autobiography and Commemoration. Featuring the work of fourteen African American artists from Alabama, including Thornton Dial, Lonnie Holley, Joe Minter, Ronald Lockett, Mose Tolliver, and several quilters from Gee's Bend, Alabama, this volume provides insight into black Alabama and African American visual expression through the presentation and analysis of more than 100 works of art.
Publisher: Tinwood Books (05/26/2015)
Hardcover: 216 pages
ISBN-10: 0692365206
ISBN-13: 9780692365205
Item Weight: 3.60lbs
Dimensions: 12.30h x 10.20w x 0.90d
About the Author
William S. Arnett is an art historian, documentarian, scholar, author and editor of numerous books, including Souls Grown Deep: African American Vernacular Art, vols. I and II; The Quilts of Gee's Bend; Gee's Bend: The Architecture of the Quilt; Gee's Bend: The Women and Their Quilts; and Thornton Dial in the 21st Century. He has built important collections of African, Asian, and African American art, among others, and has authored and curated many catalogs and exhibitions on subjects ranging from ancient ceramics to twentieth-century Mayan textiles.
San Francisco, the University of Pennsylvania Museum of Archaeology and Anthropology) and has held teaching appointments at elite universities (University of Pennsylvania, Bryn Mawr College, University of California at Berkeley, University of San Francisco, and University of Minnesota). Toure is the principal and chief appraiser of Appraisals of Value, LLC, a premier Baltimore corporation specializing in art valuation, art advisory and management, art acquisition and art disposition. Karen Wilkin is a New York-based independent curator and critic specializing in twentieth-century Modernism. Educated at Barnard College and Columbia University, she is the author of monographs on Stuart Davis, David Smith, Anthony Caro, Kenneth Noland, Helen Frankenthaler, Giorgio Morandi, and Hans Hofmann, among others, and has organized exhibitions of their work internationally. The Contributing Editor for Art for the Hudson Review and a regular contributor to the New Criterion and the Wall Street Journal, she teaches in the New York Studio School's MFA program. Horace Randall Williams is an Alabama native and the editor of Montgomery-based NewSouth Books. He is the author of five books and has edited and published more than 500 others, mostly on Southern history and
culture. Previously, he was a newspaper journalist and the founding director of the Southern Poverty Law Center's Klanwatch Project.