Performing Power: Ethnic Citizenship, Popular Theatre and the Contest of Nationhood in Modern Kenya (9781439238745)
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9781439238745
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Author: George Odera Outa
Performing Power... attempts a comparative re]examination of the 'nation' and its various contestations from the perspective of the more recent popular theatre tradition in Kenya. It is substantially a re-think and interrogation of entrenched assumptions about the postcolony and its realities, often typified by mind-boggling expressions of ethnicity in many African countries, complete with all the codes, values, mythologies, various stereotypes as well as the language as its most prominent insignia. The book is a fairly comprehensive historical exploration of works produced during the momentous Daniel Arap Moi years as President of Kenya (1978-2002), including in particular, Oby Obyerodhiambo's Drumbeats of Kerenyaga, late Wahome Mutahi's, Jomo Kenyatta the Man (produced with Titi Wainaina) and Okoiti Omtata's, Voice of the People. The University of Nairobi and the neighbouring French Cultural Centre are discussed as some of the most important sites of theatre and power-performance in the entirety of Kenya's postcolonial experience. Texts have been analysed in the context of how artists, literally, end up 'rewriting the nation' in an ethnically polarised postcolony such as Kenya has tended to be. The subject matter covers a controversial and rather un-studied phase of Kenya's political history and will thus be a premier and pioneering work in its own right.
Publisher: Booksurge Publishing (06/04/2009)
Paperback: 232 pages
ISBN-10: 143923874X
ISBN-13: 9781439238745
Item Weight: 0.70lbs
Dimensions: 9.02h x 5.98w x 0.49d
Performing Power... attempts a comparative re]examination of the 'nation' and its various contestations from the perspective of the more recent popular theatre tradition in Kenya. It is substantially a re-think and interrogation of entrenched assumptions about the postcolony and its realities, often typified by mind-boggling expressions of ethnicity in many African countries, complete with all the codes, values, mythologies, various stereotypes as well as the language as its most prominent insignia. The book is a fairly comprehensive historical exploration of works produced during the momentous Daniel Arap Moi years as President of Kenya (1978-2002), including in particular, Oby Obyerodhiambo's Drumbeats of Kerenyaga, late Wahome Mutahi's, Jomo Kenyatta the Man (produced with Titi Wainaina) and Okoiti Omtata's, Voice of the People. The University of Nairobi and the neighbouring French Cultural Centre are discussed as some of the most important sites of theatre and power-performance in the entirety of Kenya's postcolonial experience. Texts have been analysed in the context of how artists, literally, end up 'rewriting the nation' in an ethnically polarised postcolony such as Kenya has tended to be. The subject matter covers a controversial and rather un-studied phase of Kenya's political history and will thus be a premier and pioneering work in its own right.
Publisher: Booksurge Publishing (06/04/2009)
Paperback: 232 pages
ISBN-10: 143923874X
ISBN-13: 9781439238745
Item Weight: 0.70lbs
Dimensions: 9.02h x 5.98w x 0.49d
About the Author
Dr George Odera Outa has lectured in the Department of Literature at the University of Nairobi, Kenya, since 1988. An experienced Communications and Media practitioner, Dr Outa has since 2003 been on a United Nations Development Programme (UNDP) appointment - along with other Development Partners in Kenya, as Communications Advisor on secondment to the Government of Kenya. A University of London trained lawyer, Dr Outa is a Winner and Laureate of the prestigious, St Andrews Prize (UK) for the Environment (2001), jointly established with the integrated Energy company, ConocoPhilips. His other works include, African Examples (OCTAWNS, 1993) and essays published in various journals.
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